Richard wagner gods and orgies

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Here the goddess holds her court amid everlasting revels, luring the souls of men to destruction. The stage represents the interior of the Venusbrg. In the center of the stage nymphs are dancing; these are joined by others from the background in the course of the scene, while now and again a chorus of sirens is heard singing the most seductive strains. A rosy light illuminates the whole cave. He begs the goddess to release him; she, in turn, pleads with him to remain, calling up new scenes of ravishing delight.
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Richard Wagner Part 2 -

The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work. Wagner made a number of revisions of the opera throughout his life and was still unsatisfied with its format when he died. The most significant revision was made for the opera's premiere in Paris in ; the production there was however a failure, partly for political reasons. Wagner brings these two together by constructing a plot involving the 14th century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Wagner wove a variety of sources into the opera narrative. According to his autobiography, he was inspired by finding the story in "a Volksbuch popular book about the Venusberg", which he claimed "fell into his hands", although he admits knowing of the story from the Phantasus of Ludwig Tieck and E. The sources used by Wagner therefore reflected a nineteenth century romantic view of the medieval period, with concerns about artistic freedom and the constraints of organised religion typical of the period of Romanticism.
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Organ Orgy - A Wagner Sound Spectacular (Remastered)

Wagner drawing by Keitz, Paris Cola di Rienzi The distressing poverty of my home in Paris grew more apparent every day and yet I was now to give a last touch to Rienzi , the most voluminous of my operas. I had decided to offer the first production to the Court Theatre at Dresden.
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Ballet scene; bacchanalian music. Once again he takes up his harp and pays homage to the goddess in a passionate love song, which he ends with an earnest plea to be allowed to depart. When Venus again tries to charm him, he declares: "My salvation rests in Mary, the mother of God. Venus and her attendants disappear, and he suddenly finds himself just below the Wartburg.
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